About Our Craft

Every Macabre Gadgets piece begins long before it is crafted. It begins with research — into mythology, art history, visual languages, and the symbolic weight of objects that have survived time. That research shapes the foundation of every design, ensuring that each piece carries context as well as form.

From there, the piece is shaped by hand.


Three Artisans. One Studio. No Mass Production.

Macabre Gadgets is made by three people. Every piece you see — from the first sketch to the finished object — passes through the hands of one of three artisans working in our studio. There is no factory. There is no outsourcing. There is no production line.

This is not a branding position. It is a physical reality that shapes every object we make. When production is limited to three pairs of hands, each piece receives the kind of attention that mass production structurally cannot provide. Subtle decisions — the angle of a carved detail, the depth of a polished surface, the balance of a pendant on its chain — are made by the person making the piece, not by a machine calibrated to a tolerance.

The result is jewelry that carries the trace of its making. No two pieces are identical. That variation is not a flaw. It is the evidence of a human process.

Wooden workbench with unfinished sterling silver jewelry pieces at the Macabre Gadgets studio

The Sculptural Process

We think of ourselves as much sculptors as jewellers. The two disciplines are inseparable in how we work.

Most jewelry begins with a sketch or a drawing. Ours often begins in clay.

We start with the object itself: its weight, its volume, its presence in the hand before it is ever worn. A face emerges from a block of clay. A skull takes shape. A crown finds its proportions. The sculpting stage is where the piece is discovered, not designed.

Sculpting the Aphrodite pendant in clay by hand — early stage of the jewelry-making process at Macabre Gadgets

From the clay or wax model, the piece moves through casting and refinement — traditional and modern techniques used together to bring the sculptural form into its final material state. Sterling silver is cast, oxidised, polished, or left with the texture of the hand that shaped it. Marble is carved, refined, and polished slowly until the surface begins to glow under changing light.

Every piece passes through a complete cycle of making — from raw material to finished object — in our studio.


Working in Marble

Marble has been central to Macabre Gadgets since the beginning — over thirteen years of working with the same material, developing a specific understanding of how it behaves as a jewelry medium.

Marble is not a convenient material. It resists. It varies. Every piece behaves slightly differently beneath the tools that shape it.

The bonded marble we use retains the weight, surface variation, and tonal depth of carved stone — a gradient from warm ochre to semi-transparent alabaster-like white, a surface that shifts under changing light, natural patterning that differs in every piece. It becomes fragile at fine detail: the thinnest areas of a carved face, the transitions between form and hair, the edges of a helmet crest are the places where the stone is most vulnerable during finishing. Every marble piece is polished slowly by hand, with the understanding that the final stage is where most damage can occur.

Hand-polishing a marble Zeus ring in the Macabre Gadgets studio — bonded marble surface being refined by hand

This is why no two marble pieces emerge identically. And why each one carries the character of the specific stone it was shaped from.

For a deeper exploration of our work in stone, see the Marble Jewelry page.


Sterling Silver — Structure and Contrast

Sterling silver (925) is the structural and visual counterpart to marble in most of our pieces. It provides the framework that marble cannot — the band of a ring, the setting of a pendant, the chain that suspends a sculptural head.

Silver is worked in multiple ways depending on what the piece requires. Oxidised silver deepens in tone, adding shadow and age to a surface. Mirror-polished silver catches light sharply, creating contrast against the softer texture of stone. Some pieces are left with the texture of the casting process itself — a deliberate roughness that reads as handmade rather than manufactured.

Carving surface details on the Olive Branch ring in solid sterling silver — handcrafted jewelry process at Macabre Gadgets

Gold-plated sterling silver introduces warmth and ceremonial weight to pieces where the mythology calls for it — the helmet of Athena, the crown of a skull, the beads of an ancient choker.

Soldering a sterling silver pendant holder with a jeweler’s torch — metalwork process at Macabre Gadgets studio

Research as Foundation

Each collection at Macabre Gadgets is developed through ongoing research into visual languages, mythology, and historical references. This is not decorative context added after the fact. It is the foundation from which every design decision follows.

The THEA line began with ancient places of power. Marble worn by sea winds, columns casting long shadows, the silence of ruins that have survived longer than the civilizations that built them. That feeling became the brief. Not “make a goddess pendant”, but: create an object that carries the atmosphere of an ancient site into the present day.

The SIREN Collection began with the mythology of ocean beings across cultures — not the decorative mermaid of popular imagination, but the siren as a force of nature, a crushing wave, a powerful hunter. The materials followed: vegan pearls for ocean-born beauty, bonded marble pale and porous as coral skeletons, silver darkened to mirror the shifting light of deep water.

Hand-sculpted eye pendants in clay alongside unfinished sterling silver details — design process at Macabre Gadgets

Every collection begins this way. Research first. Object second. Ornament last.


What This Means for the Object You Wear

Jewelry is one of the oldest human crafts — passed from hand to hand across centuries, long before automation or mass production. We think of it as one of the last strongholds of human-made objects: a near-tactile, hand-to-hand interaction of human beings through space and time.

Each Macabre Gadgets piece is conceived as an object first — something that holds weight, presence, and meaning independently of the body it is worn on. The body comes second. The object comes first.

The result is jewelry that feels closer to an artifact than a conventional accessory. Something that carries the trace of its making, the weight of its material, and the context of the mythology or symbolism that gave it form.

More than a brand, Macabre Gadgets is a vision — intensely personal, artistically driven, and proudly human made.


Sculptural Jewelry — our artistic philosophy →
Marble Jewelry — our material practice →
THEA — mythological jewelry line →
About Macabre Gadgets →
The Making of the Aphrodite Necklace — process article →


Frequently Asked Questions

Who makes Macabre Gadgets jewelry?

Every piece is made by one of three artisans working in the Macabre Gadgets studio. From sculpting and material preparation to finishing and assembly, each object passes through a complete cycle of making in-house. There is no factory production and no outsourcing.

Is Macabre Gadgets jewelry handmade?

Yes. Every piece is individually handcrafted in our studio. The process includes sculpting, carving, casting, polishing, finishing, and assembly by hand. Because of this, subtle variations exist between pieces.

How are Macabre Gadgets designs created?

Most designs begin with research into mythology, art history, symbolism, and visual culture. Initial forms are then developed through sketching and sculpting in clay or wax before being refined into finished jewelry.

What materials does Macabre Gadgets use?

Our primary materials are 925 sterling silver, bonded marble, vegan pearls, and natural gemstones. Materials are chosen for their sculptural, symbolic, and tactile qualities rather than trends.

Why does Macabre Gadgets work with marble?

Marble has been central to our practice for more than thirteen years. Its weight, surface variation, and connection to classical sculpture make it uniquely suited to our approach to sculptural jewelry.

Are all pieces identical?

No. Because each piece is handcrafted, slight variations in finish, texture, and marble patterning naturally occur. We consider these variations part of the character of handmade objects.

Does Macabre Gadgets use CAD or 3D printing?

Some modern techniques may be incorporated where appropriate, but the foundation of our process remains sculptural and hands-on. Most designs begin as physical objects shaped in clay or wax rather than purely digital models.

Where is Macabre Gadgets jewelry made?

All Macabre Gadgets jewelry is designed, sculpted, assembled, and finished within our studio by our team of artisans.